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Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。東京五輪から18年後の夏、転校生・佐和子は、入部した水泳部員のちえみとチャコと親しくなるが、自身の出生の真実を知る教師を目の前で殺され、口を閉ざして姿を消す。。神秘的达克魔王突袭了海萤堡，并将小魔仙们纯洁的力量化为了不同的能量之心，打算融合成宇宙之源，从而统治宇宙。娜希雅、凌海昕以及夏凡这些耳熟能详的小魔仙们全都惨遭其毒手，被封印成了玩具人偶。而在阿哦小镇上，善良美丽的桃子，通过自身不断的努力，将小魔仙们一一解救出来，并与她们一同收集能量之心，克服重重困难，为粉碎达克魔王的计划而奋斗。全剧包含了激动人心的魔法与战斗，展现了“勇气”“善良”“团结”“乐观”“爱心”等优良品质，让海萤堡动画中的小魔仙们，以真人形象与大家再度见面，是一部具有教育意义的真人cos特摄短剧。。