木乃伊2普通话版

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。主人公逸徇受父命前往上石郡，意欲收复政权，铲除清理当地掌权机关“玄天司”首领——葛覃。不料方到上石郡逸徇却倍受到冷遇，葛覃尽显地头蛇风范，逸徇第一战出师不利。恰逢此时少女十一月前来行刺葛覃。逸徇顺势借此事件还以玄天司众部颜色，宣告自己的主权。但十一月行刺未果遇险，逸徇好意救下十一月，不料却反被十一月绑至小树林。二人暗中交谈，逸徇从十一月口中了解到古族的往事，意识到可以利用古族之力与玄天司对抗，于是替十一月解毒，打算招募她为自己所用。不料玄天司黍离带领追兵包围小树林，二人陷入险境，葛覃也于此时现身。葛覃强行要带走十一月，不惜与逸徇爆发冲突，两伙人在树林大战。战斗中逸徇无意间触发自己古族的血脉，复刻了十一月的图腾，并且借助其灵力，带领重伤的十一月一起脱逃。 逸徇在十一月的带领下前往古族圣地，从中了解了古族的历史，也确定了自己的古族身份。但二人无意间惊动镇守圣地的神兽应龙，为救十一月逸徇再次复刻图腾，激活自己体内的古族血脉。两人刚刚脱逃，便遇到了外出采药的少女楚茨。逸徇带着二人重返上石郡，在北城门处设计摆了葛覃一道，将十一月神不知鬼不觉带入了城中。逸徇入住郡守府，楚茨身份揭晓，竟然也是古族。但十一月伤势未愈，为了医治十一月，楚茨与逸徇打算一同进山寻药。彼此陌生的逸徇与楚茨二人在采药过程中相互猜忌，不幸遭遇了野熊决明。决明在看见血液后暴走，他的背后似乎有关于玄天司的秘密。 于是逸徇、楚茨合力制服决明，取得草药下山回府。逸徇也终于下定决心与古族联手合力对抗玄天司，却遭到贴身护卫弈的反对，弈甚至暗中派人毁掉草药。所幸楚茨利用灵力救活草药，十一月才得救苏醒。 而葛覃通过跟踪逸徇，得知了决明的下落。原来决明是玄天司研究的变异古族，于是葛覃秘密派出其他变异古族去抓捕决明...。