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In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。李小龙未满周岁便亮相银幕的《金门女》，导演伍锦霞是三藩市华侨，三、四十年代在香港和美国执导过九部粤语片，不乏民族意识及女权色彩。既是第一位执导港片的海外华人女导演，更是独立特行、超越时代的奇女子， 毕生短髮男装打扮，人皆以「霞哥」相称，于纽约经营的中餐馆更成了传奇地标。影片在资料蒐集与追访亲友之馀，不忘拿同样大志未竟的两位同期的影坛先锋作映照，华裔荷裡活女星黄柳霜及当时唯一的荷裡活女导演 Dorothy Arzner，皆被时代遗忘多时，今日重获肯定。。