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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。一部属于大银幕的纪录片！《布勒合唱团：直到尽头》捕捉了英摇天团Blur惊喜且动人的最新篇章，忠实纪录乐团带着睽违八年、广受好评的冠军专辑《戴伦之歌》（The Ballad of Darren）荣耀回归的精彩历程。电影讲述四位合作超过30年的团员，同时也是四个人生挚友：戴蒙、葛拉罕、艾力克斯、戴夫之间独一无二的友谊。 他们于2023年初再度聚首录制新专辑，并在七月的时候首次于伦敦知名温布利球场举办场场完售的演唱会。录音室里的点点滴滴、首首劲歌金曲的精彩演出纪实、团员们的人生况味、零距离重现的珍贵图像，《布勒合唱团：直到尽头》是对这个英国流行音乐史上最历久不衰的乐团一次贴近的凝视，更是让全球乐迷亲身参与属于Blur的私密时光。。